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A bag for every occasion

TEEP bag Crow (?)-Peabody Museum-

E 'common the idea that Indian people have created various types of bags, bags and containers, leather or other materials, which help during the its nomadic movements from one place to another. In reality, however, the various types of bags were just as important is devoted to agriculture among the tribes as the Cherokee and the Navajos, and is among the tribes of the plains, moving by following the herds of bison. A leather bag is right to hold certain objects in a vase or basket, and Native North Americans tended to give great importance to a good assortment of those bags for the transport. Not only were the bags of Native specially sized and shaped to contain a single type of object, but they were often decorated to indicate precisely what was in them. In general we can say that they were the two basic styles: soft bags, made of tanned hides (usually buckskin or moose), and parfleche, made of rawhide. Currently, some modern Indian artists mix the two traditions through the creation of scholarships for deerskin tanned but with the appearance of parfleche. Regardless of their material, the bags of the Native Americans were often painted, engraved or worked for the addition of porcupine quills and tribal designs typical of the craftsman (usually a woman) that he had created, this in particular if the bag was designed to hold something sacred, like a medicine bag or a bag of tobacco, or was prepared for the festivities, as the engagement of her son or daughter. In recent centuries, the specific design of the Indian stock market began to change with the development of "possible bags, bags that might contain anything inside it. However, even today, both types of bags are made and decorated by artists from many different tribes, and continue to be a living part of life and practice native, much of the baskets or ceramics (which are generally considered only as works of 'art). Given the possibility di un loro utilizzo nella vita di tutti i giorni, le borse Indiane sono ancora oggetti comunemente realizzati per il commercio.

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Much is often made of the idea that Indian people developed so many specialized bags, pouches, and other leather containers to assist them in their nomadic wanderings from place to place. In reality, though, Indian bag-making was just as prominent in highly settled agricultural tribes like the Cherokees and Navajos as it was among the Plains tribes who followed the buffalo herds. A leather bag is better suited for carrying certain objects than a pot or basket is, and native North Americans tended to place great importance on how well-matched a carrying case was to its contents. Not only were native bags specially sized and shaped to hold an individual type of object, they were often decorated to indicate precisely what belonged inside of them. There were two very basic styles of American Indian bags: soft pouches, made of tanned animal hides (usually deerskin or elkskin), and parfleche, made of stiff rawhide. Some modern Indian artists blur the two traditions by creating tanned buckskin purses with rawhide siding on the inside to give it the boxy parfleche look. Regardless of their material, Native American bags were often painted, beaded, or quilled with the characteristic tribal designs of the craftsperson (usually a woman) who made it--particularly if the bag was designed to hold something sacred, such as a medicine bag or tobacco bag, or was being made as regalia for a fiance, daughter or son. In recent centuries the great specificity of Indian bag design began to change, with the development of the catch-all "possible bag" that could be used to transport any of one's possessions. Today, both specific and possible bags are still being made and decorated by artists from many different tribes, and they continue to be a lively and practical part of native life, much more so than baskets or pottery (which are generally treated only as artwork these days). Since non-native women also like to carry a purse or handbag, Indian bags are commonly made as trade items today as well.

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Sheath Crow

A succession of blades and knives Indians of that art objects often very elaborate.

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A roundup of Indian knife Sheats, artworks Often very elaborated.

sheath Ojibwa -1880 -

Nez Perce

Some of my work

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VideoTutorial:

few days ago was finally announced the new PSP2 or NGP by Sony.
Here are the three official video presentation of the PSP2, Guys, it's worth watching ...

Part1:

Part2:

Part3:

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E in fine abbiamo le date della fiera: Inizio: 7 Giugno Fine: 9 Giugno

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"Goot Trade" of the Navajo

Trade between the American Indians was a very important activity. With the trade could obtain goods that could not be found on their land. Every nation had its own products, which could be food, raw or processed hides, clothing. With the arrival of the whites and the construction of the first outposts (which were essentially commercial at the beginning), these businesses multiplied enormously. "Goot Trade" was the way in which the sentence was pronounced by the natives "Good Trade", a "good trade".

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Trade Between American Indians Was a very important activity. With trade goods Which Could Be Obtained Could not Be Found On Their Land. Every nation HAD ITS own products, Which Could Be food, raw or processed Hides, clothing. With the arrival of whites and the construction of the first outposts (Which Were Essentially commercial at the beginning), INCREASE These businesses enormously. "Goot Trade" was the way in Which Was the sentence pronounced by Natives "Good Trade" to "Good Exchange."

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Create a timer - create a timer in Unity


Original Post

How To Get Rid Of Skinny Legs

[Video] PSP2 - Sony Next Generation Portable

Author: Souleater

In this tutorial I will explain how to create a tree:

SpeedTree

, complete it and import it properly UDK. Have a lot pazeienza because this will be very short tutorial

.

Step 1

(SpeedTree open and create a tree)

:

Start -> All Programs

-> Unreal Development Kit

-> UDK-

2011-01

-> Tools ->

SpeedTree 5.0 Modeler

File -> New

Now at the bottom right you should get this screen:



you select the "Tree Ball" with the left mouse button Taso right mouse -> Add to selected ->
Trunks -> Variable

• At this point you will see the trunk in the "Navigator" and "Generation" you will see a new "ball" call: "Trunks". Select the "sphere Trunks" Right click -> Add to selected ->
Branches -> Level 1
• starndard RT

At this point you will appear in a "Generation" new "ball" call "level 1".

you select the "Ball Level 1"

deostro mouse button

-> Add to selected

• ->
Leaves
• -> Now in Wide "Navigator" will have a tree like this:

Now we need to be textured so as to have a real tree.

• the top right you should have a screen like this:

Click on the button that has the following sign:
• add texture: ConiferBark

Ricclicate above the first button and select the texture:
SampleLeaves_1

Now in the "Generation" click on the "ball Trunks"

In the properties left, look for the heading "Material"

• 
Then click on the "+" to "Branch" and "Material" to select the texture:
• ConiferBark
procidmento Do this with the "ball Level 1 "
• So you have the textured trunks and branches. Now we have to texturize the leaves.
• Now in: "Generation" click on the "ball Leaves" In the properties look for the heading: "Leaves" Oa click on the "+" to "Type" and "Material" enter the texture :
SampleLeaves_1
• So you'll also have the texture of the leaves as they should. You should now have a tree like this:
Now salvaimo all doing:

File -> Save As

->
• enter the name of the tree, for this tutorial will: Albero1

Step 2

(build tree)
• :
• Start -> All Programs -> Unreal Development Kit -> UDK- 2011-01
->

Tools ->
SpeedTree 5.0 Compilier

Now there will come a schermatina, and follow the configuration of my screens.

Click: Add Trees ... ggiunte to the first tree that we saved.



Now click on: End

• Now left click on properties button: Start Compilation (F7)

In the new shcermata that appears click on the button

: Compile

Wait ends and close everything.

Now on the desktop (I compiled on the desktop) you will leave the following files:
Albero1.srt
• BillboardAtlas_Normal BillboardAtlas_Diffuse TextureAtlas_Diffuse
ConiferBark
• Step 3 ; (import tree in UDK) :
• course open UDK With the cube you the floor, put the ulliminazione and Start Player. View -> Windows

Browser -> Browser
Content

the bottom click on the button: Import
Select all the files that are left after the completion of the tree

Click: Open

Enter the name of: Package
, I put for example

Tree

• Now click on: To All Ok
• Now you'll get in: the Content Browser various textures and the tree that we import, now comes the tricky part.
We must create the material and texturize the tree again.
• Click your right mouse button on the texture: Trunk -> Create New Material ... In: Name included the name of the new Material, in this case I've put: MatTronco -> Click on the button : Ok
• Now double click on: MatMaterial just created and will open a new browser window . Select the texture (which is in the top left) then press and hold "CTRL" drag it into the empty space Now click on the black dot next to the texture there, and drag the black dot: Diffuse Now in the top left of the screen click on the button below:

And this will be the final result:

• Now you can close the screen. Now click on the following texture and create a new Material under the name: MatFoglie:

• Now double click on the newly created new Maeriale drag again in the texture space
• We connect the black dot in the texture, the black dot: Diffuse
Now click the right mouse button, the empty space

Constants ->
New Vertex Color
Then

Math -> Add New

Then

• So, reduce but do not close the window, go to: Content Browser and select with the left mouse button, the following texture:

• Now we return to the small screen earlier in the lower left corner of our screen
• click with the right mouse button in empty space
• Texture -> New TextureSeample

Now connect all as I have done in the following image
• :
• time ever in this screen, below us the option: Blend Mode

Change to: BLEND_Opaque to

-> BLEND_Masked

• Now in the top left of the screen click on the button below:

You can close the screen. Now in
: Content Browser, double-click: SpeedTree

(which would be our tree)

Seleziniamo our: MatTronco with the Content Browser button In the left mouse

• new shcermata that opened when we did the double click: SpeedTree , click on the green freccetina: Branch & Branch 1Material 2Material
• Seleziniamo our: MatFoglie the Content Browser with the left mouse button and click on tits other freccetine remained green. Here's what I get out out:

• Now you can close this scherrmata. Drag: SpeedTree in our game, now we will come out a tiny sapling XD, you ingraditolo using this option:

Screen in Game :

• Obviously the tree is very simple, but once you understand the mechanism for the times you can do as you

Thursday, January 27, 2011

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E3 2011 Dates of the fair



[Download] Unreal Development Kit January 2011

Upgrade Notes:

                PhysX is now enabled for iOS development!

Rendering

·          

There is a new Colorize post process.

 

·           You can now force depth of field.

The new Min Blur Amount post process setting can be used to force in-focus pixels to be blurred.

·           Various image reflection quality and performance improvements have been made.

·           Optimizations have been made to particle emitters, as well as memory improvements.

Mobile

·

         

PhysX is now supported on iOS. Rigid body physics, fracturable meshes and ragdolls are among supported features. Note: Cloth, fluids and soft bodies remain disabled on iOS for performance reasons.

·           Upgraded to iOS SDK 4.2

·          

The latest version of UDK Remote supports ping functionality, so it knows when it is talking to a PC.

·          

The latest version of UDK Remote's text entry box has been fixed on older versions of iOS.

Unreal Editor

·          

UDK now has a mesh selection preview.

You can now highlight sections of a mesh simply by selecting the corresponding material property. ·

         

UDK now supports editor map favorites.

You can now star maps that you work with frequently and they'll persist in the editor's toolbar.

·          

Move to End of Track has been added to Unreal Matinee.

·          

The functionality of the individual translation and rotation track selections in the Matinee curve editor has been improved.

·           A box for selecting subgroups within the matinee curve editor was added.

·           The rotation widget now draws how many degrees have been rotated in the viewport.

·          

Kismet undo is now able to undo shortcut key-inserted sequence actions. ·          

An option to preserve degenerate triangles has been added to the FBX importer.

·

          Various fixes were made to the FBX importer, including rotations in Matinee, LODs, lightmaps, tangents on movement curves and auto tangents on cameras.

·

          When importing atop an existing object in an unloaded package, there will now be a confirmation screen instead of clobbering the existing object.

·

          The AnimSet Searcher now searches all AnimSets that are currently loaded.

·

          You can now double click on colors in the material editor to open a color picker.

·

          The new Align to Floor editor lets you snap actors using their pivot point.

·

          There is now a map check warning for combat volumes and triggers that aren’t referenced.

·

          You can now re-order properties in the favorites panel.

·

          A confirmation dialog is now displayed when baking instanced mesh paint data back to the mesh asset.

·

          The group selection dialog now defaults to listing just the groups in the current package.

·

          Properties for Location, Rotation and Scale3D are now displayed in real time in the property windows when objects are modified outside of them.

·

          Ctrl-Shift-A can now be used to select all Kismet actions.

Miscellaneous Enhancements

·          

Various improvements were made to Unreal Frontend  

including key bindings, map sorting and new cook/make buttons. ·          

The Bink player has been upgraded to version 1.99a. ·          

A new network profiling tool captures server information primarily for outgoing bandwidth as it relates to data transmission and network events. The network profiler takes into account all actors types, RPCs and properties that are replicated during a data stream and then summarizes replication counts and sizes.